With this update, you can now select Remove Unused Clips in the media pool to analyse all the timelines in your project to accurately identify all clips, including compound clips and Fusion compositions, that haven’t been used. ![]() This update also adds a checkbox to the render page to enable the same powerful Fairlight loudness normalisation technology to be applied when outputting your project, allowing you to select standard reference levels when rendering the entire project rather than needing to apply them to each individual clip. This will also work with correctly labeled separate 5.1 tracks and will significantly speed up your post production audio workflow. Other new features for audio include being able to select two separate mono files in your media pool that have been identified as multichannel audio and when you drag them into your timeline to import as a single stereo track. This partners with HDR Vivid to enable an end to end system for creating work in regions that require this format.įor those using Resolve Live, there is now support to include audio with the graded image and pass it through to a monitor in live production or on set situations. Also for Studio users, DaVinci Resolve now supports the new UWA Audio Vivid spacial sound audio coding standard. When color grading in DaVinci Resolve Studio, there is now support for the latest version of Dolby vision, which analyses the HDR image and applies the optimum adjustments to the grade for creating an SDR version of your project resulting in more accurate results so less manual trimming is needed. ![]() This means you can now use nodes to import MaterialX files that contain encoded material information such as textures, color, shades or lighting reflections and map them to 3D shapes in your project. There is also support for rendering USD scenes with materials and volumes. You can then apply additional beveling to create polished edges to your newly created 3D object. This gives you the ability to select all caps, all lower case, small caps and title caps from the dropdown menu to refine your subtitles.įor Fusion, the new extrude tool can take flat shapes and transform them into dynamic, three-dimensional objects by stretching the flat shape’s edges. It’s a fast, seamless and automatic way to collaborate that allows everyone in your post production team to see the media as it is synced.įor the cut and edit pages, this update includes support for the using an outer text stroke giving you more creative control over how your titles and subtitles appear, along with support to change the font case on your subtitles. Everyone can use the proxy media immediately and the colorist or finisher can download the original high res camera originals and render. For any media placed in the media pool or the project folder by any collaborators, a proxy is automatically generated and synced to other project members via Blackmagic Cloud. These will then automatically sync to all members of the project anywhere in the world. When shooting with Blackmagic Camera, the video captured can be instantly uploaded as a proxy file, followed by the camera originals, and saved to Blackmagic Cloud Storage. ![]() This will allow you to not only share your project libraries on Blackmagic Cloud but also the media you use in the project, as it will automatically sync with the new cloud storage in Blackmagic Cloud. Today we released DaVinci Resolve 18.6 which adds support for the new Blackmagic Camera cloud workflow. Other exciting updates include title improvements, extrude and bevel tools in Fusion (I’ve been waiting ages for this!), USD rendering, support for the latest version of Dolby Vision, and media management with the ability to remove unused clips from a project.Īs always, be sure to back up your database before updating.įor details, downloads, and update instructions, visit the Blackmagic Design Support Page. ![]() This presents some exciting workflow options for quick turnaround video shooters like news or social media teams. And those files can be automatically downloaded and will appear right away in DaVinci Resolve! Using the new storage features in Blackmagic Cloud, you can sync original media or proxies directly into the cloud from an Ursa Broadcast camera, or the new Blackmagic Camera app for iPhone. The big news is the camera-to-cloud workflows that are possible with new cameras. Among a slew of hardware updates today, Blackmagic Design announced the DaVinci Resolve 18.6 Update.
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